Kyoto Grand Hotel

Canon 1v, EOS 16-35mm 2.8L, EOS 50mm 1.2L, EOS 85mm 1.2L II, Ilford XP2 Super 400 Black & White C41 color process film. These were taken while I was shooting a wedding at the Kyoto Grand. I had some black and white left over and I needed to use it up before switching to my usual Fuji 400h.

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_space

A place filled with things that we don’t have enough space to put them in. And not enough time to enjoy it all. We perpetuate this economy of consumption as if it’s the best thing to do even though we know it isn’t the right thing to do.

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Farm Store at Kellogg Ranch

Olympus OM-2, Zuiko Auto-S 50mm f/1.2, Zuiko Auto-T 85mm 1:2, H.Zuiko Auto-W 24mm f/2.8, Kodak Portra 160.

 

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Strike Zone

Olympus OM-4, Olympus Zuiko Auto-S 50mm f/1.4, Kodak Portra 400

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Menu Items

Olympus OM-2, Olympus Zuiko Auto-S 50mm f/1.4, Portra 160.

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Tourism

Olympus OM-2, Olympus Zuiko Auto-S 50mm f/1.4, Kodak Portra 400. Venice, CA.

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Eye to the Sky

Olympus OM-2, Olympus Zuiko Auto-S 50mm f/1.4,

 

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Smoke

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Tattoo & Piercing, Venice

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Bucolic fields on Kodak BW400CN

Olympus OM-2, Zuiko Auto-W 21mm f/3.5, Kodak BW400CN black & white film. Shooting black and white is new to me. I’ve never really had any luck shooting black and white film. It’s probably because I stink at it.  But on a recent engagement I literally had to shoot black and white because that was what is in the camera at the time. I needed to switch to color film and I still had about 10 frames of Kodak’s BW400CN.  Yet another that was new to me is the lens I was shooting with.  It was a Zuiko 21mm f/3.5. A recent acquisition when I purchased it along with a Zuiko Auto-S 50mm f/1.2 (which was what I was after in the first place) and a E.Zuiko Auto-T 100mm f/2.8 (a lens I already had).  But the price for the three lenses was close to a bargain as you’ll ever get on eBay. Thus I made the purchase knowing I’ll probably resell the two lenses I didn’t need. I think I’ll be keeping this copy of the 21mm now that I had the opportunity to use it in the field.  Two observations I took away from this shoot were that the Zuiko Auto-W 21mm f/3.5 is very sharp at 5.6 and beyond. Second is Kodak’s BW400CN film is very fine grain compared to Ilford’s XP2 Super 400 black and white color process film.  I shot these scenes using my internal meter on my Olympus OM-2 (very accurate compared to my Sekonic L-308 hand held meter).  Also I set my ISO on the camera to 200 rather than 400. 

 

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